Monday, 1 February 2016

Take Inventory, Check Out the Other Folks

From time to time it's time to take inventory and see where you are at and consider where you want to go and how much distance you've already made.

Of course, you can say it's difficult to be objective, nemo iudex in causa sua and so on, but you don't need to be the epitome of impartiality to just note down your most relevant qualifications, such as degrees, accreditations, years of experience and other such data. Two plus two still makes four, no matter how modest or not you are.

Try to aggregate the data and preferably end up with something like elevator pitch as a result, minus the pitch. Peel off the marketing. We're taking a somewhat sober assessment in order to see what marketing you could use, so it's better to start from raw data than the marketing soup you've been serving for a while.

Now go find some CVs, bios and profiles from:
  • leaders in your language or field, or otherwise already where you hope to one day be
  • people more or less at your own stage
  • the rookies
See what the leaders or experts are doing and how. Depending on your long-term vs short-term focus for this little exercise, you can choose either the rock stars or people who are one or two steps ahead. There is a chance they are doing it right, if it works them, especially the rock stars. Those who are economically successful are more likely to do it right than people who you just know are good because you are qualified to see the difference and judge the work on your own. Especially those people who are economically successful but not really spectacular translators are probably good at the art of finding and convincing their clients. 

Look for similarities. Look for something which makes them successful and which you also already have, or are slowly getting there.

Find inspiration for immediate changes or scout the road ahead for information to keep in mind as you proceed. It's up to you.

Next check out the folks who are more or less in the same place. Is there anything they are doing better than you? Any smarter (e.g. shorter or more convincing) ways of saying practically the same thing? How about communicating the same information in a more inviting and reassuring way? How are they bringing out assets that are more or less on the same level as your own? (For example, you can learn from a medical translator if you're a legal one and vice versa). Anything they haven't thought about? Anything they missed but the more successful people did not? If they otherwise look very similar to you or to one another, how could you distinguish your message?

Now the the rookies. There's a chance some of them are replicating by-the-book solutions without really understanding them, but some may be quite creative simply because they don't know what exactly they're supposed to do or don't yet know what to copy. You can still learn from someone who does not yet know as much as you do overall. Competition is rough there, so there's a chance that those of the newbies who manage to eke out a nice living already know quite a lot.

Not to encourage elitist attitudes, but if you've been around for a while, you'll need to look for ways to bring out that experience in your copy and turn it into an advantage. I think that looking only within your bracket or ahead would not give you a complete picture. To keep track of progress you sometimes need to go back to how things are on the earlier stages of the road. You don't need to be negative in order to use the rookies' CVs and copy to measure your own progress. It's mostly the matter of demonstrating the benefit of your experience.

Don't get too carried away. It's better to underpromise and overdeliver than the other way round. Your presentation needs to reflect where you are and not where you hope to be in 5 years from now. Finally, pardon me for bringing this up, but if you feel like borrowing from one specific person rather than a pattern you saw in a wider group, remember to respect that someone's intellectual work and creative effort, which is protected by intellectual property. Where in doubt, ask permission or come up with something that's simply not as similar. Play nice.

5 Factors Other Than Rates That Affect Your Profit on a Project

We focus on rates quite often and for good reason, as despite what some people insist on claiming rates are going downhill, and despite what others might claim (or just not care about) the current level of financial demands from agencies and business clients is not realistic or sustainable, but this doesn't mean we have an excuse to get lazy and stop at that. There is much more to how much you make than the rate you charge:


  1. Difficulty. And if you've been around for a while, you probably know how it is: 80% more bother will generate 20% more pay. But what you possibly haven't seriously reflected on yet is that taking only a 20% pay increase while putting in 80% more time sets you back, actually.

    How?

    Suppose the starting position is that you have 10,000 words to do at $0.10 per, translated at about 500 words per hour. You will make 1000 dollars in 20 hours. This means you will be making $50 per hour.

    Are you still with me? If you take another 10,000 words at $0.12 (+20%) with 80% more time, that ain't gonna be no goldmine. You will have to commit 36 hours instead of 2 hours of your time. $1200 divided by 36 hours makes $33.33 per hour. This means you're 33% down.

    Eyes wide open already? I can make them even wider (make sure they don't fall out, you're going to need them unless you're unlike me and actually like interpreting :P):

    You would actually be better off for taking an actual pay cut but translating easier stuff. Let's hypothetically take a 20% pay cut (not that you should, in real life) but save 80% of our time: we are going to make $800 from 10,000 words at 0.08 per, but we'll have waded through them in 4 hours. Which is almost totally impossible, but we're running huge numbers here to show you, on such extremes, how far the differences could potentially go, based on time required for the task at hand. $800 in 4 hours makes $200 per hour. Compare to $33... yikes!

    But let's leave Pareto (a.k.a. the 80-20 rule, typically used for such theoretical illustrations) alone and take more conservative numbers, which are, however, going to be a bit more difficult to calculate (no round numbers that are easy to handle any more).

    So, suppose you translate 350 words per hour at 0.10 per. This means you make $35 per hour (before tax, expenses etc.). Suppose your agency or client agrees to a 10% surcharge but you need to invest 50% more time, and I can tell you this is a very realistic scenario. This means you'll need 1.5 hours to translate those 350 words now, at 0.11 per. You will only be able to complete 2/3 of the normal workload within 1 hour, which is 233 words. Rounded up, you will be making $26 per hour. Which means you're down one quarter, despite your nominal raise.

    By contrast, imagine taking that 10% pay cut, so that you make 0.09 per word, but your text is easier and you can translate 50% faster, which means 525 words per hour. That will mean $47 per hour. Compare that $47 to your standard $35 and especially to your 'premium' $26 per hour.

    If you've ever wondered how come highly qualified translators with unique skills who translate serious stuff somehow don't always seem to be making a lot of money, here is your answer. It also explain how come some rookies or less ambitious translators can be quite affluent compared to their higher-charging peers.

    And that is simply because translation price doesn't go up in direct proportion to time needed to translate. This cost is simply mitigated on the client's side and shouldered by the translator, the way things are right now.
  2. Additional tasks and requirements — included in the PO or job sepcification — compared to 'just translating'. Convert some files, run through a checklist, consult with the client's huge database, verify the HTML while localizing, whatever. The principle is the same: it all soaks up your time with much more celerity than it increases your rates. And you know what that means — you're making less per hour, aren't you? Times 140, 160, 180 or 300, it also means you're making less per month. And times 1500, 2000 or 3000, it also means you're making less p.a. Bottom line: you're making less, even if you theoretically get a small raise or some form of additional payment, especially at cheaper rates than what you get for translation.
  3. How helpful your client or agency is. Can you just call and ask or do you have to dig through 1000 pages of reference material to translate 10 pages of text? This translates directly into more unpaid time or less. I think there's a chance that the example you've seen under #1 already makes you suspect that after you do the numbers the difference is going to turn out quite surprisingly large. If so, you are correct.
  4. QA procedures and client input. This really belongs in #2, but it's worth bringing up separately because of how much difference it can make. Processing a long list of questions or proposals is always going to take a lot of time even when they are competent. Much of the time they are not. In a lot of cases you end up explaining the rules to the client's or the agency's QA department… or the junior secretary or intern who was tasked with reviewing your super duper mega extra important translation. And this is before they start arguing… In the end result, your work time can be doubled or tripled for no raise at all, often with the expectation of getting a rebate after going through all the trouble.
  5. CAT vs non-CAT. CAT analysis can shave several percent off of just about any business, technical or legal text. Say, 5% less in the adjusted/effective/weighted wordcount is not the same as 5% off from your usual rates, but it has the same effect on your pay. If your pay is calculated as wordcount * rate, then — just as in any multiplication — reducing either number by 5% will reduce the end result by 5% too. 1000 words at 9.5 cents per or 950 words at 10 cents per, it still  makes 95 dollars either way.

    Just to clarify, I'm not raising the banner against adjusted wordcounts and fuzzy grids here. I'm simply saying that just as an agency or client can say: 'We're going to be treating these 1000 words as 950 because we think that's how much work you really do for us,' so can you say: 'I'm going to be treating your 0.10 per word as 0.095 because I think that's how much you really pay me.'

    There is nothing unfair in this, as long as you're honest in assessing how much your income hit exceeds the usefulness of fuzzies and repetitions. This is not telling the client what to do or not to do, it simply means that you're going to see some 0.10 offers as 0.095 offers internally. Being conscious of how much you really are offered or paid is not the same as being cheeky or uncooperative.

These are all short-term factors that can apply to specific projects, even one-off projects for one-off clients, even though, naturally, you can benefit from whatever information you have about the client's habits or your relationship (such as the probability of consuming your time with inquiries and change requests). Here's a long-term factor:

  • Your relationship with the PM, the agency, the client etc. For the purposes of solely its influence on your income, we can look at it from two perspectives:
  1. What's in it for you other than the rate, in a long-term perspective. Apart from all of #1–5 from the previous list, part of the relationship is how much work you get, how much effort and time it costs you to get that work, how much time you lose unproductively, for any reason whatsoever, not just their feelings about the rate. There is also the non-financial factor of simply your work comfort, and that is something of which the importance cannot be underestimated. It affects your mental peace, and your health, and even your productivity, in fact. Higher rates don't always lead to more money, or more work comfort.
  2. The impact of your rates, specifically, on the relationship, in the long term. Or, more precisely, the impact of their feelings about your rates — and the resulting pressure — on their behaviour in the relationship. In plain words, this means how eager they are going to be to work with you, how far motivated to choose you despite a higher rate than someone else is charging, or to get out of their way to help you, or the opposite: to want to cash in on all sorts of available requests and call in all available favours since they're already (over-)paying you so much and flexing their business muscle so much simply, solely by just paying your rate.
Last but not least, in a 'macro' view, your rates affect how much work you get from all clients and agencies. I always keep insisting and reminding people how higher rates can make up for less turnover, notably far less than a full calendar of paid work. And time is important for your family, for your own mental and physical health, for CPD, for your other interests, and probably a couple of other things you could think about, including marketing. But it if you take it too far, you just might have more free time than you'd wish for. ;)

Besides, it's not like we have an ethical obligation to maximize our rates. We actually have an obligation not to overcharge — pretty much like everybody else, and it ultimately comes down to thou shalt not steal. Getting our rates back to a level where most of us can support an upper-middle-class income for a highly qualified and hard-working translator who is not a rock star and not below middle-middle for the rookies is one thing, but at the end of the day outright overcharging is fraud, especially in the context of working with clients who don't (yet) have the knowledge to make an informed decision.

Also please note I'm talking about B2B here, mostly. It's one thing to charge, for example, several hundred dollars for an hour of your time in connection with a profitable business deal, another to charge the same for a medical translation needed by someone who's already broke. Or just something for a visa. Or whatever. I'm not advocating the latter, by any means. This post should not be read as advocating a hard line in B2C with individuals who need a certificate or a CV.

Wednesday, 27 January 2016

A Reminder That Tenders and RFPs Are Not Good For You

Earlier today, when checking my mail, I clicked on a job notification from one of the largest translation portals, before I realized it had 'tender' in the job title.

Guess what I did?

I hit 'back'.

I just don't do tenders.

This is not to say that tenders can absolutely never be good for you, because that just wouldn't be true, at least not in that kind of extreme degree.

However, tenders are simply not designed to be profitable to you, or profitable to both parties, i.e. balanced.

Tenders were designed the way the are with the goal of maximizing the buyer's interest.

Look at what the buyer does if buying via RFPs. The buyer sits back in a fluffy armchair and sips his tea just as the sellers enter the arena and bleed their blood, sweat and tears into the sun-scorched sand. Himself, he doesn't have to lift a finger in order to get the entire benefit of negotiation, i.e. the full, maximum benefit of the bargain.

And, no part of the system usually provides for any return of costs even if you 'win'. Yes, you hear me right. Your 'prize' is the opportunity to sell your normal or slightly upgraded services for your normal or somewhat (heavily) discounted prices. There is nothing like paying you for the costs of processing the paperwork. No man-hours, no postage fees, no nothing. I'm talking about the 'winner' here, mind you, not the poor souls who 'lost'.

However, the poor souls who 'lost' may well be real winners in the end — they don't tie themselves up for months or years to come in what's a questionable deal from the beginning.

Chances are they will meet — and use — better opportunities in all that time.

Pretty much the only exception is when you are new to freelancing but not to translating, which means you don't have many clients yet and finding work is a problem but you do have the qualifications to win a tender without being the cheapest provider. Or when you have no alternatives, then it's basically a fact of life that you must reply to those RFPs and better not in vain, or you're going to starve. Or when you can benefit from price difference between the buyer's country and yours (possible if you live in a third-world country or even a second-world country like my own).

Like I said, the scope, the object of the tender is the provision of your services in the future, not the recovery of any costs you may have incurred in the past. The system is simply designed in such a way (which I might well say as a lawyer) that it doesn't give any specific thought to your cost or anything like that. It only gives thought to you not making any more profit than is absolutely inevitable.

Yes, you hear me right: The point of tenders and RFPs and all that is for you to not make any more profit than is absolutely unavoidable. The balance of the bargain is supposed to go over to the buyer, in whole.

That's the point of tenders.


Saturday, 19 December 2015

Remember To Update Your Rates!

If you go to work like everysalariedbody else, you get a raise. Or you don't. But there's a pay scale and a rank table, so you more or less know where you are and where you are headed. As a freelancer, you don't. But that doesn't mean you're forever stuck being a junior.

So don't forget to make your rates — and preferably also your presentation (business cards, website, brochures, online profiles) — reflect the natural progress of your skill and reputation.

If you agree with me at this point, you might as well finish reading here. If you aren't sure, stay on.


Q: But I work so closely with them. I get feedback on all of my translations. I'm required to be available on the phone, sometimes 24/7. I go beyond just translating and always keep their business goals in mind. I know them inside out. I'm a veteran. I'm more of an insider than any new meat with a salaried position. I'm an employee in all but name.

A: Nope, that's not the only difference, You aren't on their promotion track simply because you aren't part of the organization, no matter how closely you collaborate. You can't get promoted if you don't have a rank to begin with. Same goes for a raise.


No, it's not unfair to 'renegotiate'. It would be if you had a fixed-term contract with guaranteed fixed rates, then it would be unfair and illegal to push for a change without their consent. Or a large raise half a year into a long-term (indefinite) contract, that could be bait and switch. But to expect to always pay the same fees the same service would not be reasonable.

Oh sure, some of them will act surprised or hurt or wronged or whatever, but do you expect bread to cost exactly the same day after day for 10 years? Or electricity? Or whatever newspaper you read?

But it's not just inflation.

Remember that while you never get a formal promotion, that's simply because there is nobody to give you one, and hence there isn't any formal process for it, either. But that doesn't mean you don't deserve a raise, and not just because of longevity.

Unlike what agencies may think, career progress is about making more than you did last year or five years ago, not about creating an irresistible price deal for your clients and embracing poverty while translating multi-million-dollar contracts and presentations.

Saturday, 19 September 2015

Do You Really Need To Be 'Competitive'?

If you're a fan of Marta's, you may see a similarity between this subject and the recurrent red-ocean-versus-blue-ocean dichotomy in her presentations, but we're going to look it from a different angle and focus more on something closer to NLP — or at least the way brains react to certain words and phrases and the way it can be used.

No matter which kind of freelancer you are, you probably have already at least a couple of times found yourself being expected to be competitive when in the light of the situation you don't or shouldn't really need to compete.

For example a translation agency may have told you that your rates were not competitive... when you were the sole 'vendor' actually capable of processing their request!

So why should you have to compete? Why should you compete?

But, naturally, it would be beneficial to their own financial interest if you did actually still try to be competitive even in that kind of situation, where you are essentially a monopolist. Bluff costs nothing — or perhaps they simply take it for granted that you should act in accordance with their financial interest.

It's a human weakness that we are prone to seeing ourselves as essentially free to look after our own interest only rather than other people's, while seeing others as somehow obligated to pay attention to our interest rather than only being guided by their own. Humans are not always particularly lucid or consistent, which means that, for example, a cheater in a game could still resent someone else's cheating.

It can be pretty much the same with a translation agency or client expecting itself to be the sole beneficiary of competition in the market — always having you compete, never having to compete for you.

But another human weakness is to just play along. That means, for example, doing what someone else tells you to do, without first checking if you really want to do that, or if the person telling you to do it has the authority to give you commands or if it is a justified request. Bluff costs nothing. The agency loses nothing if you just simply decline, and you are unlikely to quit on them, only to give them a slight rebuke if at all but probably not even that.

To sump, there is zero cost of trying a bluff or they may even genuinely be thinking that.

You don't want to play along. You want to identify that suggestion when it happens and oppose it. You re not doing anything wrong — they have no right to hold the reins of your business or to exploit you.

If you do want to put the agency's or the client's financial interest entirely above your own, that should be your own choice, your own sacrifice and service, not just allow yourself to be taken for a ride.

And, if I may say something, there are better, more qualified recipients of charitable donations of your time or money (which often ends up being the same thing) than for-profit enterprises. How about you donate your time to a homeless shelter instead? Or an orphanage? Or hospital? Or how about you look for civil-service employment for a modest salary if that's what you want rather than working entirely pro-bono, without pay?

Or at least make it clear that you're doing them a favour, but don't reinforce their belief in their own bluffing brilliance or privileged entitlement. (Or simple human error and lack of perspective, which it may very well be.)

Next, it's not like they're always going to directly tell you to be 'competitive' or make a 'competitive' offer; rather, it can take a more indirect form. Say, they might answer your quote saying that it is not competitive enough — if you don't stay sharp, you might even sometimes just go along with that kind of thing rather than shaking it off and realizing that, ugh, who says your quote needs to be 'competitive' in the first place? Or who are they (the agency or client) to authoritatively judge it as sufficiently competitive or not?

Again, chances are they'll just put 'competitive' in a sentence — as a begged question — and hope it works by setting the right mood, i.e. by sending your brain on the path they want it to take, which is similar to something like 'thank you for your co-operation' (which is presumed to follow and which does actually make the reader comply with the instruction if no contrary reflection intervenes).

Bottom line: Just because they want it that way doesn't meant it has to be that way. Make your own choice whether and what concessions you want to make.

Friday, 18 September 2015

Adverse Selection And Information Asymmetry

The best example of 'adverse selection' is when you get life insurance with the intention of committing suicide so that your family can get the benefits. We have laws on the books against that sort of thing, which means it must have become popular at some point, before they cracked down on it.

A less clear-cut example is when you get a policy that you know you're much more likely to cash in on than the average person. Someone looking from the insurer's perspective could be at least tempted to see it as something unethical and abusive. On the other hand, from the buyer's perspective there could be nothing more to it than taking advantage of what looked like a good bargain.

Non-insurance examples could include buffet lunches, all-you-can-eat bars, all-inclusive holiday trips. The price charged represents the average expected cost plus some margin. Some people will eat less, some will eat more, in the grand scheme of things it'll even out.

Similarly, in translation the rates tend to be more uniform than the amount of time needed by each individual translation, which is very difficult to predict up front and varies from one translator to the next to boot.

There is no question that to make your business smoother and more secure you need to learn to spot potential time suckers and learn to at least plan for contingencies, not overbook your calendar when one of your projects has that kind of potential, perhaps negotiate higher rates or switch to hourly billing.

This is something translators usually learn in the first couple of years.

However, I would like to call your attention to something more disruptive, more dangerous: problem jobs.

You don't have all of the information the client or agency has.

Perhaps you can recall, from your own experience, a situation like this:

They send you an attachment and ask you to confirm ASAP, which leaves you a short window and a lot of pressure. You mumble something, grudgingly, about them owing you one or needing to plan better, next time. Or you make it clear there isn't going to be any next time, only this once. Then you say the fateful words: 'okay, I confirm' and with the stroke of a magic wand the problem is now yours. Moments later you discover just how long the OCR or file repair is going to take — or you see the one bajilion tags surrounding every letter in the bilingual file in a CAT job. And an X-Bench/CAT QA report is required for those tags. Or the quality of the original is passably good initially, but deteriorates steadily until you no can no longer keep guessing whatever the thing was supposed to mean.

That's not the worst of it, actually. Sometimes a server is involved and that server goes down. Or someone's input is critically needed and that person suddenly becomes unavailable. Or just after you start the job they are afraid that whatever they had promised you to coax or cajole you into accepting is not actually possible. Or they unload some more reference material or client requests on you.

Unless you started a couple of months ago or you've been extremely lucky, you've probably had a couple of your own war stories like these by now. Well, now is the time to connect some dots — or at least as good as any.

I don't want you to become paranoid and see a trap in every single more-than-average complicated job you are offered by someone desperate. But I would like you to be cautious and safe. Better safe than sorry.

Here are some pointers:


  • The client or agency wants you to accept quickly and really wants you to accept the job. Unless you have good reasons to think it's about your unique skills or reputation for reliability, there can be a good reason why the want the job out of their way.
  • The client or agency wants you to accept before you can inspect the file(s) and any additional information. They seem to be rather secretive and — especially — deflect or ignore requests for information. That means there's a chance they don't want you to have that information — and why? A high probability is that's because that information could make you decline the offer. Or perhaps they themselves don't really know what's going on.
  • Technical problems with the files and little help from the client or agency when you mention it. This is an especially high risk with agencies which make it clear in your contract that once you accept a file for translation, any and everything relating to it becomes your own responsibility.
  • Any such problem should be a huge red flag with any agency whose contract or PO contains a stipulation that by accepting a job (a file) you are guaranteeing that it is doable. If the contract goes as far as saying that you 'waive' (give up) the right to 'rely on' (invoke, in your defence) any problems with the source, with the client's or agency's conduct etc. — then run away for dear life.
  • The same refers to sloppy writing in the source, especially in those huge files that have multiple different authors, sometimes all of them non-native and unedited.
  • Again, that sort of thing becomes several times more dangerous wherever there are the clauses in the contract about how everything becomes your responsibility and nothing is their responsibility any more after you accept. 
  • You should also be very helpful if someone is imploring, pleading, practically begging — but at the same time the paperwork is adversarial, hostile, there is small print in it or some dense legalese you don't understand, anything which you already suspect might be a trap.
  • Anyone who has done it once or twice and without remourse is likely to do it again. Don't judge them, but don't rely on their word for anything important, either.
  • If you work with agencies and your rates are significantly above average, then the agencies probably know of at least a handful of cheaper providers. The fact that they are turning to you — and this also applies to direct clients who have found you too expensive before — may in itself be an indication of a compelling reason to do so, which is not always as simple as wanting better quality from now on or better quality for that particular text than in most other cases.

Remember that to some people deceit in negotiation is fair game — and only the final outcome counts. That means some people will manipulate you into accepting a bad deal but will still very much believe you to be — legally, ethically, morally even — bound by that deal. That's how life works for people who believe themselves to be somewhat special. To some extent, most human beings believe themselves to be somewhat special.

Some players justify their cheating to themselves while expecting others to play by the book. In their mind, legit or not what counts is that they win (and in some of those minds it's legit even if they cheated). Alternatively, whoever can't play as skillfully as they can is fair game.

You need to be prepared to encounter that sort of character flaw in people who aren't in full consciousness trying to set you up. And, among hundreds or thousands of prospective and actual clients, someone will eventually try to consciously set you up with a bad job, too.

On the extreme end of the spectrum, scammers or desperate people scrambling for damage control may be looking for someone on whom to dump a translation/localization problem that already stinks, or a problem that isn't even a translation/localization problem in itself but can be transferred to a translator if you manage to make that translator unconditionally responsible for the quality, condition, usability etc. of the target file or for the achievement of a specific, set goal.

Remember that people who want you to give them broad and far-reaching guarantees are probably doing so because they know they're going to need them. You don't obtain such things because you don't need them, that would make no sense.

A word of practical advice: In a crisis situation it's easier to stick by rules you've already made before, with a cool head, than to make up good rules on the spot, when you're hot-headed and emotionally agitated.

Hence, you may want to develop and adopt some safety rules for yourself. For example:

  • Never make final decisions on the phone.
  • Keep a written record of all arrangements.
  • Never decide before seeing all of the source and reference files.
  • Don't take a client's word on anything which affects your ability or willingness to accept the job or the pay, get a signature on paper instead.
  • Don't accept any oral changes, amendments or supplementations to a written contract or PO. (Even if they are actually valid, proving that they existed is going to be a whole different challenge.)
  • Don't accept tech-intense jobs with short deadlines without processing the files through your CAT tool and making sure that they load and save (import and export) without errors.
  • Don't accept a job with a mandatory client glossary or TM (translation memory) before you carefully inspect the quality of that glossary or TM.
  • Don't accept a CAT job on an OCR file without checking out the tags in the bilingual file first, especially if you are required to keep tags intact or report on any deviations (e.g. X-Bench reports). CATs and OCR files don't work too well together.
  • If your software is not the newest available (e.g. Trados 2014 now that Trados 2015 has come out; MS Office 2010, now that 2013 has been around for a long while), don't accept a job before making sure your software is not too old to properly read and write the file (without damaging the layout, too).
  • Be extra careful with clients who have been unreliable before and not quite sorry for it. Especially anyone who's known to have lied to translators before.

You may need to train yourself to be a bit more resistant to the emotional pleas of people who you can already say are not being entirely open or fair with you from the get go. This may be a challenge, but it'll be easier if you know their own tricks or common negotiation tactics and if you allow yourself time to think clearly about the requirements of the job before you make your decision.

Also, don't shy away from demanding the inclusion of express conditions in the PO. This essentially means committing them to their promises on paper, with a signature. For example you may want to include the reservation that the deadline is guaranteed and the agreed fee is sufficient only as long as their assurances are true. You may want to have their signature under a disclaimer of your responsibility for things you don't want to be responsible for. For example (just a few):

  • Undisclosed expectations.
  • Fitness for undisclosed purposes.
  • Special or consequential damages of the likelihood of which they didn't inform you.
  • Technical and formatting issues resulting from processing an OCR-ed file with a CAT tool.


On a final note, once again, be very careful with people who are itching to get rid of the responsibility for their own or their own clients' files. Be extra careful with with agencies whose contracts make a point of how you're going to be responsible for each and every kind of problem imaginable from the moment you accept the job, or how — by accepting the job — you supposedly guarantee that the files are correct and the client's instructions and requirements are achievable and professionally sound (let alone sound from a business or legal perspective) etc.

That is, unless you're prepared for that sort of game. Some translators don't mind. Apart from naïve youngsters, those are seasoned old salts who are confident in their ability to detect, avoid or fix any kind of trouble, down to fending off any unjustified complaint or lawsuit. Even so, overconfidence is a great enemy.

Saturday, 27 June 2015

On Growing Some Scales

By accident, on Saturday, when alternating between serious reading and just chilling out with a bottle of amber ale after a long, hard week, I found a new marketing blog that seemed worth reading because of its no-nonsense approach with useful ideas, no trumpet-blowing and no padding. One of the first to capture my attention was a guest post by a young copywriter called Stephanie O'Brien, titled thus: Why Athletes Get Paid More Than You And How to Steal Their Strategies (and nothing less).

It'll be easier if you read it before we go on. Don't worry, it's short. Shorter than the economy reading that might be in order later.

In short, she describes it from a marketing point of view, but what she's talking about is the economies of scale (if you're German or Polish, you be thinking of it as 'effect of scale').

In some lines of business, the larger your operations are, the lower the costs of an individual operation or individual product or service can be. This is used by companies that compete on the price, often to the detriment of quality. Translation agencies can benefit from it, processing millions of orders in all sorts of languages and fields, while translators can't really, because they only have this much time to sell.

Or can they?

This is the question.

After all, athletes — and singers, and actors, and authors — are also time-limited, just like anyone else who essentially is selling his own time.

We can only earn this much when getting paid by a couple of agencies or a couple of direct clients, or a mix of both.

Seemingly. Because the larger picture is that:

  1. Our work is still used by more people than just the one person signing the PO. Only perhaps we no longer own the translation in any way after completing and returning it and cashing in the fees. But it's still out there, getting read by many people — who often rely on it in their own work for even more people — and the one guy who procured it certainly didn't make it. His company didn't translate, either.
  2. In a direct sense, athletes, singers, actors etc. still get most of their income from a handful of sources, they aren't having millions of invoices paid directly by crowds of fans. Even if they had an arrangement in places that gives them a certain percentage of every sale of something (e.g. a ticker or a copy), that money still comes from one source.

Thus, the difference is rather that they get credited for serving the masses and we don't. That part is monopolized by middlemen — agencies — and, to some extent, clients themselves. By clients themselves I mean people who act like the author who doesn't want the translator's name in the credits (it usually doesn't make it to the cover, anyway).

But imagine middlemen in sports and music trying to act like they — their companies, rather — are kicking the ball. It ain't gonna fly. But in translation it's quite viable.

(Lawyers are somewhere in the middle. The firms control the cake, but the names and faces of the individual lawyers are indispensable to the system, at least the way it is now. To some extent the same is true of sworn translators and other translators whose names must appear on the documents.)

In the end result, we aren't getting any sort of commission fees. Rather, the guys between us and the reader reduce us to the role of a wage earner, whose typically doesn't even reflect the scale of the enterprise. This is cool and dandy when our per-word or per-page fees multiplied by the number of such units add up to like one third of the transaction's worth, but not so cool when, let's say, the realtors and the lawyers are getting a percentage cut out of a couple million bucks, while the translators will have to content themselves with, say, a couple thousand words times a dozen cents per word, yielding a result in the hundreds.

The reasons are many, and I can't purport to know them all, but one thing is quite clear: the other guys either have a stronger position or face less opposition when charging in regions that are more proportional to the scale of the transaction.

When 'value pricing' is mentioned in the context of translation, the first thing that comes to mind is large texts at low prices because their subjective value to the client is low. For example because the client is intellectually lazy enough not to realize that his accounting or HR or licensing arrangements are all vital to his business despite being non-core. In plainer word, this means some people won't think in terms broader than the one or two direct steps where the money comes in, as their horizons are too tight to think in a broader picture. Except perhaps if they're talking about your responsibility rather than your pay.

So, we have two options:

  1. We could do some work that really can be sold to multiple purchasers, for example write books to which we retain the rights, of which more copies can always be made, and which will grow in value as we succeed, become more widely known, our ideas and concepts are proved by life etc. But remember, for example, that consultants who sell materials apart from advice don't necessarily make a fortune and neither necessarily do non-fiction authors.
  2. 'Leverage' the fact that we really do have large audiences quite a lot of time, at least in business and marketing translation. In other cases we act in a supportive role for something that has that kind of reach. We could remind our clients and agencies of this fact, as well as being tougher in negotiations in general.
#2 essentially means the scale is there but we need to claim it more assertively.

Other applications of scale include:

specializing and focusing — yes, it may be the antithesis of low-cost translation, but it does actually allow you to cut your costs, or, rather, use them more efficiently
CAT software — it sometimes pays for itself already on the trial licence simply because of opening access to more work
education, hardware, software, anything else that's purchased once (or at least only every once in a while) but used daily

However, it doesn't end there. There are multiple other ways in which you can tap into entire networks and make those networks work for you — starting from the fact that every happy client is likely to recommend you to other people. Thus your effective reach grows. You can compare it to the number of friends of friends or 2nd or 3rd tier connections you have on social media. Often what it takes is to just do your job well and perhaps just a little extra.

Back to Stephanie's article, though:

You could at least consider associating with people and businesses whose services are mutually complementary with yours rather than competing against them. That's a powerful combination which is hard to beat, and it also bears some resemblance to the strategies actually used by the most economically successful translators. Those strategies tend to involve a lot of mingling in the clients' world. This is a no-brainer for translators who come from other fields in their middle age and later (e.g. lawyers, doctors and engineers making a 'lateral move' for one reason or the other), but it's also worth considering as a path for the younger guys for whom translation is their first real job. But the stress here — unlike the mingling with clients and potential clients that the gurus talk about — would fall on mingling with all those people whose clients might need your services, rather than themselves.

Where's the 'scale' here? You can't reach all those people alone. But you can reach them through people and businesses that it's humanly possible for you to keep in touch with. This is essentially what networking is about.

This is also similar to controlling the entire value chain, as cost leaders (companies that sell on the price and build their business model around it) sometimes try to do, which includes the way in which translation agencies increasingly try to control you and make you their property. Except here nobody owns anybody, you're working with friends.

Last but — definitely! — not least, let's look at some really smart thing she said:

Professional athletes don’t make the stadium snacks. They don’t hold the cameras, tend the grass, or manufacture the equipment. If they did, they wouldn’t have enough time and energy to practice and stay on top of their game.
Print it and hang it above your monitor. Engrave in gold. Whatever. But defeat the urge — drilled into you by translation teachers, translation marketers, translation business coaches and even trusted translator friends — to think that you must be a 'one-stop shop' for everything that relates to a client's computer files. Or anything else like that.

You don't have to — while specialize in only 1-2 fields of knowledge to make yourself more efficient — learn the ins and outs of dozens of software suites and low-level, low-skill office tasks that bottom-feeding agencies and sometimes clients are increasingly confident about asking translators to do. Do world-class experts, high-octane consultants etc. also sweep the floors in their clients offices and carry the client's suitcase?

You won't have the time to become a really great translator if you spend time becoming a really good office gopher. Something which you should decidedly leave to people for whom it is the only choice of work or the best one (or those who are sufficiently trained in it to take it to a whole new level).






Sunday, 21 June 2015

Don't Be Too Hard On Clients Who Ask To Cancel

I don't normally post about ethical issues much, but I'll make an exception for this one. I don't aspire to the role of an ethical expert of moral authority, I just want to share my opinion as a colleague.

Sometimes clients contact you to cancel your work before it's finished.

In some cases they don't want to pay anything for the work you've already done, because they no longer need it, and they don't think they should have to pay for something they don't need.

Well, that's their perspective, which is only one side of the story. Your perspective, which is the other side of the story, is that you've given them your time and skill, and you have a right to be compensated for it. My opinion is that you'd be in your right to charge them for that work (minus polishing if it goes straight to the bin and won't be used)[1] unless you can easily sell the same translation to someone else[2].

But what I really wanted to post about is when you consider charging them for the 100% anyway.

I believe it would be unethical to not do the remaining part of the work but still charge them for it — unless with their consent.

Simply put they have paid for our time. We have sold it to them. It now belongs to them. We can't keep it to ourselves or sell it to someone else any more. One doesn't own what one has already sold. One can't sell more than one actually has. One can't sell the same thing twice — for example we can't just charge that one client for a full day's worth of work the client will not actually receive and then spend that day working for a different client to get paid for it and profit from the cancellation by doubling our earnings for that day.

We could offer to translate something else for the same client within the limits of volume or time already paid for by that client. Or we could credit the time or volume against future projects.

But not charge two different clients for the same time.

Example: Suppose you're paid on a per-day basis for 10 days. The client cancels on the 8th day. It's easy to see that charging the client for all 10 days but spending the last 2 days working for a different client and getting paid for it means getting paid for 12 days after working only 10. This would be ethically sound with the first client's freely given consent, but not as the translator's dictate. Without the client's consent it would be like having one's car stolen and then returned but still claiming compensation from the insurer for the full value of the car (rather than lost enjoyment for some time, cost of checkup, repairs, cleaning etc.).

It isn't really different when the billable unit is word or page — only harder to visualize.

However, even if we simply take an improvised holiday, do completely nothing but just rest and regenerate our strength, then we're still keeping that time to ourselves. It isn't really fair to still charge the client for it and make the unexpected holiday our gain. That would be an unduly translator-centric perspective — just like it was unduly client-centric perspective to pay 0% after cancelling the work midway through as no longer needed.

We could also spend such time doing all sorts of things that need to be done anyway. Invoicing, taxes, administration, marketing, CPD, chores, even house chores — as we need to do those some time or other anyway. In fact, we'll probably end up doing something like this.

Notably, by shuffling our schedule around a bit — moving things to different days or hours — we're making ourselves more available for any future assignments, for which we'll be paid. This means no actual loss is suffered, only the inconvenience of having to adjust the schedule.

Perhaps the inconvenience of having to change our plans should be compensable, but it simply is not the same as actually losing the time we were expecting to sell. This isn't fresh meat or fish rotting because the buyer balked.

Thus, if we also forced the client to pay for our time, we'd effectively be profiting from the same time twice, which is little different from selling the same time to two different buyers.

Back to the insurance example: If we had insurance against cancelled contracts or other loss of work, the insurer would expect us to mitigate the damage by at least looking for different work, or, as an absolute minimum, not turning down viable offers. The insurer would only make up the difference.

The core principle of compensation is that one isn't supposed to profit from accidents. It isn't free lunch for the victim.

Bottom line: Having a PO or a signed contract is not a licence to be unproductive, or to sell the same time to two different clients.

However, I would also add to this that it's not okay to just go ahead and finish the work and force the client to pay for it, either, for very similar reasons.

We can find different work. We can rearrange our schedules. We can do some CPD, marketing or admin, or chores, or take an evening off today rather than tomorrow. This doesn't inconvenience us in any serious way.

Hence, let's not use POs and contracts as weapons of extortion.

Exception: The situation is different where at the same time:

  1. we had to forego alternative work in order to accommodate that client's work; and
  2. we needed work to pay the bills, can't find other work on short notice and can't really accommodate a holiday etc.
— in which case we shouldn't have the choice made for us by a random circumstance to have a holiday instead of working (for example). That would make me see it in a different light, ethically.

But normally it would be better to charge only moderate cancellation fees beyond payment for work actually done.

One also needs to remember that ruthlessly profiting at the client's expense is not compatible with the ethics of learned professions such as doctors, lawyers and other advisors.

Would you be happy if your lawyer or doctor charged you for previously agreed work you no longer needed, if he could easily take on another client or patient or spend the time managing his own affairs to free up more time for paid work tomorrow or later this week?



[1] After finishing the translation in the normal course you would proofread and revise it on your own, then apply some edits etc., which is a time-consuming process. Hence, 50% of translation alone is not 50% of the whole job when you apply 0% of the final polish that was normally expected. In other words, the percentage you are at in translation alone is not the percentage you are at in your whole work.
[2] In some cases, which will typically be translations of published works, you may be in a position to finish the same work for a different client, for example a different publishing house. An argument could be made that you should give it a try before charging a cancelling client.


Wednesday, 17 June 2015

Will Machine Translation Displace Only Those Humans Who Translate Like Machines?

Here is the text of the popular Internet meme, coined by dr Arle Richard Lommel of the German Research Centre for Artificial Intelligence, himself a freelance translator:

Machine translation will displace only those humans who translate like machines

There is also a less known second sentence, which I don't see in those memes, and which reads:

Humans will focus on tasks that require intelligence.

I'm not sure if I actually disagree with dr Lommel, but I disagree with what I think the meme is likely to be typically understood to mean. Which is that only low-skill unimaginative human translators will be displaced by MT.

In the world around you, do you or do you not see MT used in the wrong place, for the wrong purpose or reasons or both?

In real life MT is used where it's not up to the task and where a human translator would do a better job.

The longer explanation is that people don't really know how translation works, human, machine or otherwise. They aren't necessarily motivated to learn, either, or even capable.

But what everybody can see — and what they are guided by in their decision-making — is that MT is cheap or free of charge, fast, or rather instantaneous, and readily available.

Choices made by clients in real life are not made the way the meme seems to imply that they are, i.e. objective reality + poetic justice. Objective reality is something they may or may not be aware of, and poetic justice is, well, poetic. So don't allow sentiments to get in the way of your logic.

Clients makes their decisions rather on the basis of what they know and what they want to do and what they ultimately do do with that knowledge.

Hence, rather, MT can displace human translators:

(i) for those clients who:


  • can't afford the higher cost of human translation (if it is higher), or
  • don't know the difference and don't have some other reason to stick with human translation (whatever that might be), or
  • know the difference but don't see it as worth paying for, or
  • know the difference, see the value but still go for MT for other reasons (whatever those might be) 


(ii) in that type of translation in which:


  • MT produces results that are fit for the purpose, and
  • human translation doesn't offer any benefit the client is interested in (or, more precisely, willing to pay for), whether that's more-than-fit quality or something else


This could be understood to mean that in at least some of those cases we all translate like machines. But that's not necessarily true — it only means we achieve the same results that a machine can achieve.

And machines can do amazing things with enough processing power and the ingenuity of, surprise, surprise, human engineers.

Next, 'even' structurally bound rule-based translation that relies on substitution as a method is not necessarily a task that doesn't require intelligence. It's only a task where artificial intelligence may be sufficient and in some cases superior. Just because Kasparov lost to Deep Blue doesn't mean chess doesn't require intelligence, does it?

Finally, MT with human post-editing (PEMTing) is not the same as MT without it, in terms of risks. Human-assisted MT is more of a threat than pure MT.

Make no mistake:

  • Just because you don't see yourself as a low-skill translator, or just because you objectively aren't one, doesn't mean that rules-based MT with good input data, good rules, a lot of processing power (millions of operations per minute etc.) and especially human assistance (PEMTing or otherwise) can't produce results that are x% as good as yours in x% of cases, for example 80% as good in 80% of the cases. Don't kid yourself, not everybody wants or even needs[1] the double 100% figure, nor can you actually achieve it (it's humanly impossible). It may be helpful to read up on bounded rationality, i.e. full optimization versus satisficing, and maximizers versus satisficers. As a translator, you are probably more likely to be a maximizer than a satisficer (100% pure maximizers probably don't exist, so it's not a 0/1 matter, more like, say, 0.9/0.1). An economist, business manager or IT person — or PM for that matter — is more likely to be a satisficer than you are (there are exceptions, some of them notably quite annoying, e.g. in the literal reading of some translation agency contracts only 100% of the best theoretically possible result will do, else they'll reject your translation; how does that feel?). Most people use simplified heuristics in their decision-making. This means they make 'approximate decisions' and accept certain risks in exchange for time and cost savings. You aren't immune to the 'like machine' just because you're good, let alone if you should be merely not too bad at what you do.
  • In real life MT displaces human translation just like bad human translators displace good human translators. Read Paul Sulzberger's interview with Luigi Muzii to get a better understanding why (Gresham's law: bad money drives out good), though it's not just the price. Some of the people who would otherwise be your clients will go for MT just like some of them go for cheaper translators or DIY translation, for all sorts of reasons.

Get proper context. You're only immune if a machine can't translate like you. And if you can convince your clients that the difference is worth paying for.




[1] It's important to note that fit-for-purpose quality — one of the core concepts behind MT, or at least behind its more responsible incarnation — is not fundamentally flawed. Simply put, it's not true that nothing is good enough unless it's absolute best. We can argue how good is good enough, or how beneficial it would be to go beyond the enough. We can — and should — protest when the bar is set too low. But we can't pretend that only the absolute best is ever good enough. Reductio ad absurdum: Most of us would be unemployed if only the best translators and translations were good enough for any client and any job. And most of us would be spending n times more time editing and QA'ing.

Tuesday, 2 June 2015

Translation Is Not A Shameful Secret

One would think that most of such theoretical considerations: 'foreignization' (I maintain it's not a valid word) versus 'domestication', should the translation read like an original or like a translation (no, there is no one and only pre-ordained answer to this), should you cover your tracks as a translator or not — belong to the word of literal translation only.

Heck no. That's not true. Only, they are seen and judged through the perspective of literary translation, which is what probably 90% of practicing translators are not doing.

Maintaining that full-on domestication is the only right way of translating is a hoax, along with the resulting sentiment that it is good to disguise your translation even at the expense of sacrificing accuracy with no corresponding gain in beauty or quality, just to make your text farther removed from the original, less traceable to it. Like that's even a legitimate goal!

(Which it is not, it's hoax.)

The translator's job is to translate, not to validate and promote phobias (including xenophobia) and superstitutions, and a lot of modern translation creed is superstition that has little basis in real science. It just gets repeated over and over and dressed in the trappings of ethical precepts That Must Not Be Questioned. They just get repeated over and over.

This collection of attitudes is harmful to us. It reinforces our clients' beliefs that were shameful, best not mentioned, best swept under the carpet, you know, like in that Bismarck quote:

Laws are like sausages — it is best not to see them being made.

Seriously? Why should one willingly allow one's profession, one's calling, one's job, often one's hobby or passion, to be held in that sort of prejudiced regard?

It is also consistent with the business model and business interests of translation agencies. Think about it: To whose benefit is when translators are nameless, invisible, tucked in the shadow, swept under the rug, in short: they supposedly don't exist?

And which kind of client is being wooed when appeasing and actively catering to and feeding xenophobic feelings is the value proposal? — Parochialism would be the most charitable description of that sort of thing.

Just like you don't need to be ashamed of your core service and core value in your value proposal and price justification, you don't need to be shamed of your work in, well, your work.

Translation Is Worth Charging For!

Dear Reader, what I'm saying to you tonight is at variance with what most translation speakers and writers and gurus say — all of them more experienced, more economically knowledgeable and economically and professionally successful than I am. You have more reason to listen to them than to me. But I still say it. I can't not say it:

Translation is the core value of what you do, the service you provide to your clients. Don't advertise and build your brand and USP on 'more than translation'. Don't justify your prices with additional services or added value.

If your value proposal and your proposal in general is based on additional services or added value, you are sending the message that your core value and core services are not valuable, not worth charging for.

By contrast, translation is a prestigious professional service.

If You're Overworked, Up Your Rates! (to Up Your Game)

One of the complaints we sometimes hear — and sometimes envy — on freelancers' social media is too much work and having to decline. Th...